By Andrew Goldstein. From artnet news. Posted on 9/25/18.
Last Friday, when the Metropolitan Museum of Art announced that it was planning to vacate the so-called Met Breuer three years early, handing the Brutalist building over the the Frick in 2020, it was clear that a decision was finally taking shape around one of the most vexing quandaries facing the Met: How can the venerable encyclopedic institution, with works stretching back to the earliest recorded human creations, meaningfully embrace contemporary art without giving off the vibe of a graying relative desperately trying to act cool?
The answer to that question comes in the shape of the museum’s 49-years-young new director, Max Hollein, whose vision for the Met’s embrace of the recent and the now ranges far beyond headline-grabbing shows of evening-sale artists, or even the more sensitive hybrid exhibitions that have been piloted at the Met Breuer since the experiment began in 2016. “Holistic” is a word for his path forward for the museum, and it’s one Hollein uses frequently.
The answer to that question comes in the shape of the museum’s 49-years-young new director, Max Hollein, whose vision for the Met’s embrace of the recent and the now ranges far beyond headline-grabbing shows of evening-sale artists, or even the more sensitive hybrid exhibitions that have been piloted at the Met Breuer since the experiment began in 2016. “Holistic” is a word for his path forward for the museum, and it’s one Hollein uses frequently.
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