The Portland Museum of Art has received a collection of more than 600 photographs, including works by world-famous 20th-century photographers, that the museum believes will transform it into a destination for the art form.

The gift from photographer, philanthropist and collector Judy Glickman Lauder includes photographs by Berenice Abbott, Diane Arbus, Richard Avedon, Margaret Bourke-White and Gordon Parks.
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“This collection puts us at another level,” said Mark Bessire, museum director. “We’ve always done (photography), but this just leverages the work we are doing and lets us take off. This (collection) could have gone anywhere, but it’s coming here.”

Glickman Lauder, who could not be reached for an interview, has homes in Cape Elizabeth and on Great Diamond Island and a longstanding affiliation with Rockport’s Maine Media Workshops. She serves on the museum’s board of trustees and is a well-known photographer in her own right, with work hanging in prominent museums around the world, including the Whitney Museum of American Art in New York City and the J. Paul Getty Museum in Los Angeles.

She is giving the PMA the collection, which includes some of her own work, as a “promised gift,” which means a pledged donation at some specified future date, although the museum already has the collection on site. The museum declined to say how much it is worth.

A “living history museum” based on the life of Dred Scott, digitization of books and manuscripts dispersed from the Philippines in the 18th century, a Cherokee translation effort, and an exhibit on the history of jazz and hip-hop in Queens, N.Y., are among 208 projects across the country that are receiving new grants from the National Endowment for the Humanities.

The grants, which total $24.7 million, support individual scholarly projects and collaborative efforts, including initiatives and exhibitions at cultural institutions ranging from local history sites to behemoths like the Metropolitan Museum of Art. The awards are part of the agency’s regular cycle of grants. Last year, the agency also distributed more than $140 million of additional grants supported by funding from the American Rescue Plan Act.

Some of the new awards are dedicated to infrastructure. One grant, of $500,000, is going to the Esperanza Peace and Justice Institute in San Antonio to support the refurbishment of seven historic buildings to be used as a cultural center focused on the immigrant communities of the city’s Westside neighborhood. A grant of $20,000 will support digital upgrades at the Chapman Center for Rural Studies at Kansas State University, which aims to highlight the history of Great Plains communities at risk of being forgotten.

There are also a number of grants to historically Black colleges and universities, including roughly $130,000 to Oakwood University in Huntsville, Ala., to create the living museum dedicated to Dred Scott, the enslaved man whose lawsuit seeking freedom resulted in the infamous 1857 Supreme Court decision stating that African Americans could never be citizens.

Other awards include nearly $45,000 to the University of Virginia, toward the creation of a database of 18th- and 19th-century North American weather records, including the detailed daily reports made by Thomas Jefferson between July 1776 and the week before his death in July 1826. There is also a $100,000 grant to Northeastern University in Boston, to support the translation of its Digital Archive of American Indian Languages Preservation and Perseverance, which gathers handwritten materials in the Cherokee syllabary, a writing system created in the early 19th century.

In New York City, the Louis Armstrong House Museum in Queens will receive $30,000 to support a digital mapping project exploring the history of jazz and hiphop in the borough. The Metropolitan Museum of Art will receive $350,000, to support biochemical analysis of the chia oil found in Mexican lacquerware and paintings by New Spanish artists in Mexico from the 16th to 19th centuries, to help with conservation and provenance research for works held in museums around the world. (The museum will collaborate with Grupo Artesanal Tecomaque, an Indigenous collective in Mexico that teaches sustainable lacquerware practices.)